dc.contributor.author | Afilipoaie, Adelaida | |
dc.contributor.author | Iordache, Catalina | |
dc.contributor.author | Raats, Tim | |
dc.date.accessioned | 2022-02-21T09:55:57Z | |
dc.date.available | 2022-02-21T09:55:57Z | |
dc.date.issued | 2021 | |
dc.identifier.issn | 1749-6020 | |
dc.identifier.other | WOS:000751832400005 | |
dc.identifier.uri | https://imec-publications.be/handle/20.500.12860/38927 | |
dc.source | WOS | |
dc.title | The 'Netflix Original' and what it means for the production of European television content | |
dc.type | Journal article | |
dc.contributor.imecauthor | Afilipoaie, Adelaida | |
dc.contributor.imecauthor | Iordache, Catalina | |
dc.contributor.imecauthor | Raats, Tim | |
dc.identifier.doi | 10.1177/17496020211023318 | |
dc.source.numberofpages | 22 | |
dc.source.peerreview | yes | |
dc.source.beginpage | 304 | |
dc.source.endpage | 325 | |
dc.source.journal | CRITICAL STUDIES IN TELEVISION | |
dc.source.issue | 3 | |
dc.source.volume | 16 | |
imec.availability | Published - imec | |