dc.contributor.author | Asmar, Axelle | |
dc.contributor.author | Raats, Tim | |
dc.contributor.author | Van Audenhove, Leo | |
dc.date.accessioned | 2023-03-17T08:39:30Z | |
dc.date.available | 2022-10-08T02:49:04Z | |
dc.date.available | 2023-03-17T08:39:30Z | |
dc.date.issued | 2023 | |
dc.identifier.issn | 1749-6020 | |
dc.identifier.other | WOS:000860172600001 | |
dc.identifier.uri | https://imec-publications.be/handle/20.500.12860/40541.2 | |
dc.source | WOS | |
dc.title | Streaming difference(s): Netflix and the branding of diversity | |
dc.type | Journal article | |
dc.contributor.imecauthor | Asmar, Axelle | |
dc.contributor.imecauthor | Raats, Tim | |
dc.contributor.imecauthor | Van Audenhove, Leo | |
dc.contributor.orcidimec | Raats, Tim::0000-0003-1220-4150 | |
dc.contributor.orcidimec | Van Audenhove, Leo::0000-0002-1093-9041 | |
dc.identifier.doi | 10.1177/17496020221129516 | |
dc.source.numberofpages | 17 | |
dc.source.peerreview | yes | |
dc.source.beginpage | 24 | |
dc.source.endpage | 40 | |
dc.source.journal | CRITICAL STUDIES IN TELEVISION | |
dc.source.issue | 1 | |
dc.source.volume | 18 | |
imec.availability | Published - imec | |