Publication:
The 'Netflix Original' and what it means for the production of European television content
| dc.contributor.author | Afilipoaie, Adelaida | |
| dc.contributor.author | Iordache, Catalina | |
| dc.contributor.author | Raats, Tim | |
| dc.contributor.imecauthor | Afilipoaie, Adelaida | |
| dc.contributor.imecauthor | Iordache, Catalina | |
| dc.contributor.imecauthor | Raats, Tim | |
| dc.date.accessioned | 2022-02-21T09:55:57Z | |
| dc.date.available | 2022-02-21T09:55:57Z | |
| dc.date.issued | 2021 | |
| dc.identifier.doi | 10.1177/17496020211023318 | |
| dc.identifier.issn | 1749-6020 | |
| dc.identifier.uri | https://imec-publications.be/handle/20.500.12860/38927 | |
| dc.publisher | SAGE PUBLICATIONS LTD | |
| dc.source.beginpage | 304 | |
| dc.source.endpage | 325 | |
| dc.source.issue | 3 | |
| dc.source.journal | CRITICAL STUDIES IN TELEVISION | |
| dc.source.numberofpages | 22 | |
| dc.source.volume | 16 | |
| dc.subject.keywords | FICTION | |
| dc.title | The 'Netflix Original' and what it means for the production of European television content | |
| dc.type | Journal article | |
| dspace.entity.type | Publication | |
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