Publication:
Adapting Porter's five forces model to digital streaming platforms: A framework for the audiovisual ecosystem
| cris.virtual.department | #PLACEHOLDER_PARENT_METADATA_VALUE# | |
| cris.virtual.orcid | 0000-0002-3909-0440 | |
| cris.virtualsource.department | f184be75-882f-4da3-a0d9-4c0e77dee97e | |
| cris.virtualsource.orcid | f184be75-882f-4da3-a0d9-4c0e77dee97e | |
| dc.contributor.author | Karahan, Onur | |
| dc.contributor.author | Ranaivoson, Heritiana | |
| dc.contributor.author | Canedo, Daniele | |
| dc.date.accessioned | 2025-09-01T04:07:35Z | |
| dc.date.available | 2025-09-01T04:07:35Z | |
| dc.date.issued | 2025 | |
| dc.description.abstract | This article examines the competitive dynamics of the audio-visual industry in the age of digital streaming platforms by adapting Porter’s Five Forces framework. The rise of digital streaming platforms, driven by technological advancements and shifting consumer behaviour, has transformed industry structures, business models and competitive strategies, necessitating a re-evaluation of existing theoretical frameworks. Through a comprehensive literature review and analysis of industry developments, this article proposes specific adaptations for each of the five forces. Furthermore, it suggests incorporating policy and regulatory influences as a crucial sixth factor. The analysis reveals that market entry barriers now hinge on technological infrastructure and sustainability as much as financial capital; suppliers increasingly leverage intellectual property and original content creation as a strategic tool; consumer power is shaped by algorithmic personalization and recommendation systems; emerging substitutes arise from adjacent sectors such as video gaming and social media platforms; and market concentration along with centralized distribution models intensify competition. By adapting Porter’s model to digital streaming platforms, this article provides a strategic roadmap for understanding the competitive dynamics and identifying emerging challenges and opportunities in the audio-visual ecosystem. | |
| dc.description.wosFundingText | This study was conducted as part of the research activities carried out at Vrije Universiteit Brussel under the 2214/A International Research Programme, supported by the Scientific and Technological Research Council ofTuerkiye (TUB & Idot;TAK) . This research benefitted from of a financing in the frame of the EU Horizon Europe project 'Increasing the international competitiveness of the film industry in small European markets' (CresCine-101094988; 2023-26) . | |
| dc.identifier.doi | 10.26650/CONNECTIST2025-1690969 | |
| dc.identifier.issn | 2636-8943 | |
| dc.identifier.uri | https://imec-publications.be/handle/20.500.12860/46137 | |
| dc.publisher | ISTANBUL UNIV, FAC COMMUNICATION | |
| dc.source.beginpage | 143 | |
| dc.source.endpage | 158 | |
| dc.source.issue | 68 | |
| dc.source.journal | CONNECTIST-ISTANBUL UNIVERSITY JOURNAL OF COMMUNICATION SCIENCES | |
| dc.source.numberofpages | 16 | |
| dc.subject.keywords | NETFLIX | |
| dc.subject.keywords | RELEVANCE | |
| dc.subject.keywords | AMAZON | |
| dc.title | Adapting Porter's five forces model to digital streaming platforms: A framework for the audiovisual ecosystem | |
| dc.type | Journal article review | |
| dspace.entity.type | Publication | |
| Files | Original bundle
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